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Wikipedia"7/1. 1" is a song recorded by American singer Beyoncé from the reissue of her fifth studio album Beyoncé (2. Platinum Edition (2. It was released on November 2. Columbia Records as the second single from the reissue. The song was written by Beyoncé and Alonzo Holt; the latter collaborated with Bobby Johnson during the production process. It features rap- singing vocals by Beyoncé over a warped up- tempo beat.
Upon its release, "7/1. Its accompanying music video was premiered through You.
Tube on November 2. In it, Beyoncé dances at various locations; the video was filmed by the singer herself using a static camera, with some additional footage created with the aid of a selfie stick. The visual was praised for its personal, relaxed and fun nature and critics deemed it a departure from Beyoncé's other high- budget videos on the visual album. U. S. Billboard Hot 1. Among its component charts, it earned Beyoncé her 8th No. Hot R& B/Hip- Hop Chart and her 2. No. 1 on the Hot Dance Club Songs Chart.
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Background[edit]On November 5, 2. Parkwood Entertainment that Beyoncé would release a platinum edition of her self- titled fifth studio album on November 2.
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Beyoncé: More which would include two new songs titled "7/1. Ring Off".[1] On November 1. November 2. 5.[2] The following day, the full versions of both songs surfaced on the Internet.[3] "7/1. United States on November 2. Italy on November 2. On December 8, 2.
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United Kingdom.[6]"7/1. Beyoncé, Bobby Johnson and Detail, while the production was handled by the latter along with Bobby Johnson and Sidney Swift.[7] Beyoncé further served as the song's vocal producer, while the co- production was finished by Detail and Sidney Swift. It was recorded with guidance by Stuart White at two studios – Record Plant in Los Angeles and Le Royal Monceau in Paris. Ramon Rivas and Jon Schacter served as the assistants of the track's audio engineering while Tony Maserati and Stuart White were responsible for its mixing. The mastering was finished by Dave Kutch at The Mastering Palace in New York City.[8]Composition[edit]"7/1. Auto- Tune.[2][3][7] Its production consists of trap,[9][1. R& B elements accompanied by a "rattling" bassline.[1.
Caitlin White from MTV News noted that it was "all beats and bragging" with Beyoncé's vocals seldomly transferring into her singing voice.[7] Gerrick D. Kennedy from Los Angeles Times likened the singer's rap- singing in a warbly double- time cadence to her early work with the girl group Destiny's Child.[1.
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Southern rap "swagger."[1. Her vocal performance was further noted for being filled with "intensity" and Nicki Minaj–esque wails while singing the staccato rap verses.[1. Allison Piwowarski opined that the song's title refers to the drinking game "Sevens, Elevens, and Doubles", as the singer hints in lines like ".. I'm thinkin' bout that alcohol / Man it feel like rolling dice / seven eleven .. Beyoncé raps commanding and demanding lines throughout accompanied by a "warped" beat, shouting the lyrics: "Smack that, clap that.. The singer goes on repetitively describing her dance moves with the lyrics "I put up my hands up, spinning while my hands up.. Legs movin' side to side, smack in the air."[1] She uses braggadocio while boasting about "flexin' with my hands up".[1.
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After two and a half minutes, the songs "breakneck" pace changes into an "atmospheric" outro for the last 6. Watch On The Beach Online Hulu on this page. Critical reception[edit]Critics responded to "7/1. Bianca Gracie of Idolator criticized it as a "try- hard, club- ready tune" and a leftover of Rihanna's recording session for her album Unapologetic (2. Gracie further denounced the fact that Beyoncé's vocals were "embarrassingly run through an autotune machine".[2. The Michigan Daily's Christian Kennedy wrote that the track wouldn't have been suitable for the album's original track listing. He noted that the song was "choppy and in large part does not make much sense" which according to him would trigger many to deem it "a musical mess".[2. Watch Margaret Cho: Beautiful Online more.
Katie Hasty from the website Hit. Fix criticized "7/1. Mad Libs for people who get bottle service."[2. A positive review from Erika Ramirez of Billboard magazine imagined that "7/1. Colin Stutz from the same publication described it as a "swaggering number".[3] Writing for Fuse, Jeff Benjamin concluded that it was apparent from the song's "hard- hitting, trappy production" that Beyoncé "hasn't lost her edge in between recording sessions".[1.
Daniel Kreps from Rolling Stone deemed the song as a "rapid- fire banger" and "frenetic".[1. Joey Guerra of the Houston Chronicle described it as an "irresistible club banger" which "is going to pack dance floors and inspire plenty of moves".[1. Upon hearing a 3. Nate Jones from the website Vulture concluded that it was "harder than anything on the original album" with Beyoncé bragging and showing various "assorted signs of self- confidence".[2.
Spin's Brennan Carley commented that the song was "warbly rapped" and less interesting than "Ring Off".[2. Caitlin White observed in her review for MTV News that "7/1. Drunk in Love", "Partition" and "Flawless".
She added that considering its writers and producers, "[It is] no wonder the track is a veering, experimental club anthem more reminiscent of the initial version of 'Flawless'—'Bow Down/I Been On'."[7]Justin Davis of Complex magazine positively reviewed the "catchy" song with an "easily repeatable" chorus as a worthy addition to the album's original track list, further adding that it "is sure to be a staple in the clubs".[9] Patrick Ryan of USA Today characterized the refrain as "instantly recognizable".[1. Robin Murray in a review for Clash magazine found an "impeccable" pop production in the song and described it as Beyoncé at her best.[2.
Consequence of Sound's Michelle Geslani described "7/1. If you thought the self- titled LP flaunted unflinching assertiveness, consider this track Beyoncé taken to the next level."[1. Exclaim! editor Josiah Hughes deemed it a "certified banger" filled with heavy trap drums and half- rapped vocals.[2. Gerrick D. Kennedy of Los Angeles Times described the track as "nonsensical fun for the club or treadmill".[1. Kate Hutchinson of The Guardian called "7/1. In 2. 01. 4, the song was placed at number 1.
Pazz & Jop poll compiled by The Village Voice.[2. Chart performance[edit]In the United States, the single debuted at number 1. Billboard Hot 1. 00 and peaked at number 1. It debuted at number 3 on the Hot R& B/Hip- Hop Songs following its first week of availability as a digital download from the Platinum Edition reissue, having sold 8. The debut position on the former chart marked the second highest entrance for the singer on the chart after "Drunk in Love" which premiered at number 1. The song also topped Billboard's Hot Dance Club Songs, becoming the singer's twenty- second number one song on the chart, tying her with Rihanna for second most number ones on the chart, only behind Madonna with 4.
In the United States, "7/1. R& B/Hip- Hop Digital Songs chart, becoming her first number one on the chart.[3. On March 5, 2. 01. Recording Industry Association of America certified the single platinum for shipment of 1,0. United States.[3. In the United Kingdom, it debuted at numbers 3. UK Singles Chart and the UK R& B Chart respectively on December 6, 2.
The single debuted at number 1. French Singles Chart on December 6, 2. Australia at number 5. ARIA Singles Chart for the chart issue dated December 1, 2. Music video[edit]On November 2. Beyoncé's official You.
Tube account. The clip was shot in the style of a home- made visual with the singer dancing at various locations: patio, balcony, hotel suite, a bathroom and in front of a Christmas tree and it was shot on a Galaxy Alpha camera.[1. It starts with Beyoncé dancing on a balcony dressed with a sweatshirt with the word "Kale", leopard print panties and knee pads; from there it proceeds to a hotel suite.[3. Beyoncé is joined by five female dancers to perform a choreography.[3.