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Over the weekend, a Riot Games developer made a Terrible Mistake: Lead Experience Designer Aaron “RiotSanjuro” Rutledge insulted a banned streamer in League of.
The 5. 0 greatest action movies, Feature Movies"Action". To some it just means "violence", but the greats of action cinema give us something more, turning shootings and punchings into something artful and - often - spectacular.
From the taciturn classics of the '7. Empire to guide you through 5. Lethal Weapon 2. Barely a day goes by in the Empire office without someone shouting "Dip- lo- mat- ic- imm- un- it- y!" in a bad Afrikaans accent: this is a film that has entered the public consciousness. There's action, conspiracy, a truly hissable bad guy, and the fact that it actually manages to surprise us by killing off Patsy Kensit.
The first Lethal Weapon's rougher edges have been sanded off: this is heading more towards action- comedy territory. But it gets more brutal in a dark final act where the cast is dramatically thinned out.
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Enter the Dragon. Bruce Lee’s final film (not counting the ones cobbled together after his untimely death) is arguably the one that “started it all”, kicking off the jones for kung- fu that swept mainstream culture in the west in the 1. Even Roger Moore’s Bond tried to get in on the craze. Lee plays a Shaolin martial artist working undercover for British Intelligence to bring down the villainous Shih Kien. Culturally it’s fascinating, but purely as a movie experience it still cuts the mustard more than 4. It’s testament to Lee’s sheer power and charisma.
Kill Bill Vol. 1. Vol. 2 was more of a measured- paced, dialogue driven Western. But Kill Bill Vol. Quentin Tarantino’s Eastern, lovingly channelling the marshal arts movies he most adores. It’s even got Sonny Chiba in it.
· GET REASON MAGAZINE Get Reason's print or digital edition before it’s posted online "One sane voice fighting tons of nonsense." Subscribe Now. The music of Cuba, including its instruments, performance and dance, comprises a large set of unique traditions influenced mostly by west African and European. Drumroll, please Examples of Awesome Music in films. Some of these are awesome enough to be played in actual concerts! Of the orchestra kind! How cool. The Lion Guard: Return of the Roar (2015) HDTV 720p; Song of the Sea (2014) BluRay 480p & 720p; Marvel Super Hero Adventures: Frost Fight! (2015) WEB-DL 480p & 720p.
The plot is almost perfunctory: Uma Thurman's "The Bride" is almost murdered on her wedding day, but recovers to seek revenge on the perpetrators, including ultimate goal Bill. We’ll get to him next time, but for Vol. Still, it manages an extraordinarily choreographed fight sequence, as The Bride hacks her way through dozens of opponents on her way to Lucy Liu’s formidable O- Ren Ishii.
Stand-up comedian Rudy Ray Moore both produced and starred in this blaxploitation classic, in which ex-con Dolemite is just out of prison and ready to avenge some. · The player Rutledge was talking about goes by Tyler1 online, a 22-year-old streamer who made his name by being incredibly toxic, even earning the title. Directed by Akira Kurosawa. With Toshirô Mifune, Tatsuya Nakadai, Keiju Kobayashi, Yûnosuke Itô. A crafty samurai helps a young man and his fellow clansmen save. Old Yeller A 15-year-old Tommy Kirk faces many difficulties in order to manage the family farm without his father. One day, the appearance of a frisky stray dog.
Inception. While David Lynch arguably has a better handle on how dreams actually function, there’s no arguing with the brio and spectacle of Christopher Nolan’s mind- bending sci- fi heist flick. His dream worlds are piled layer on layer, allowing for some head- scratchingly intricate plotting. Strong performances all round too, from Leonardo Di. Caprio, Ellen Page, Michael Caine and particularly Tom Hardy in his breakout role. But it’s the set- pieces that stay with you, like the shifting cityscapes, the snow sequences, and that fight sequence in the building with a shifting point of gravity. Battle Royale. A high- concept masterpiece, this controversial effort (several attempts were made to ban both film and its source novel in Japan) from Kinji Fukasaku continues to provoke discussion with its devastating premise: a class of teenagers are taken to an island, fitted with explosive collars and told to kill one another until only one remains.
It's gory - but this is not violence for its own sake. Fukasaku's got something powerful to say about intergenerational distrust, modern society, our attitudes to violence and one another and modern Japan as a whole. Yojimbo. Famously remade by Sergio Leone as the Western A Fistful Of Dollars, it’s perhaps less well known that Yojimbo is itself an adaptation of an American source: Dashiel Hammett’s hard- boiled 1. Red Harvest. It’s effortlessly transposed to the Samurai idiom however, with Akira Kurosawa’s gruff regular star Toshiro Mifune erupting occasionally into brief bursts of sword- wielding action as he plays two rival clans off against each other for his own ends. Mifune returned as the same character in the follow- up Sanjuro. Speed. Mixing action thriller with disaster movie tropes in the way Die Hard had done previously, Speed can basically be described in terms of its setpieces: the lift, the bus and the train. The middle section is the principal one, of course: Keanu Reeves is on a bus with a bomb on it, which will explode and kill all its passengers if its speed drops below 5.
Dennis Hopper is the aggrieved bad guy on the phone giving instructions, and Sandra Bullock is, reluctantly but pluckily, at the wheel. Thrills! Spills! Near misses! Romance, even! Most impressive is the way that, despite seemingly limited options for drama in its enclosed space, the bus section never outstays its welcome. Only the final train sequence feels slightly tacked on. Director Jan De Bont had been Die Hard’s cinematographer, clearly watching John Mc. Tiernan closely for some tension tips.
Indiana Jones And The Temple of Doom. The modern trend for making sequels "darker" surely dates back to this blood- soaked effort, with its human sacrifice, child enslavement and Indy himself being possessed by the Dark Side. It actually takes place before Raiders Of The Lost Ark) - meaning the repeated gun/sword gag doesn’t actually make sense chronologically - and sees Indy in India, trying to procure sacred stones from an evil Thuggee cult to save a beleaguered village. While the bookends of the original trilogy are funnier, this one stays with you longer, albeit in nightmares. Mad Max 2. The original Mad Max had its share of awesome vehicular chase sequences, but nothing that quite prepared audiences for what was to follow. The plot is simple: Max gets roped into helping a besieged community escape the marauders outside. But it’s the crazy world and character- building, vehicle design and pedal- to- the- metal action that’s important: unstoppable forward momentum and a focused, blistering vision.
Face/Off. The high watermark of John Woo’s stint in Hollywood, Face/Off is full of all the slo- mo action gunplay and doves you’d expect. The story - cop and gangster swap faces and lives during a protracted game of cat- and- mouse - is high- concept bordering on nonsensical. But what makes it work are Nicolas Cage and John Travolta, playing not only their own characters but essentially each other. Travolta actually has more fun, cutting loose as one of Cage’s loopy bad guys. Watch The History Boys Online Mic.
Cage, after some madness at the start, has to reign it in a bit to play Travolta. It was probably for the best. Captain America: Civil War. Marvel’s most ambitious outing to date set everyone’s favourite super- squad against each other – and sent a few of them home to patch up their suits. The idea of pitching 6.
Russo pulled it off with aplomb, introducing a unanimously crowd- pleasing baby Spidey in the process. Worried about superhero fatigue? Those fears completely vanish by the time you reach the film’s airport battle opus. Hell Drivers. British grit from 1. It all takes place in believably downbeat locations, and the chase sequences - the final one in particular - are thrilling, thanks to the direction of blacklisted Hollywood exile Cy Endfield.
And the cast, to modern eyes, is extraordinary: led by Stanley Baker and stacked with British tough guys who’d go on to greater fame. Watch The Cottage Online Hollywoodtake here. Look out for (deep breath) Sean Connery, Patrick Mc. Goohan, William Hartnell, David Mc. Callum, Gordon Jackson, Herbert Lom and Sid James. Ong- Bak. The title refers to the Buddhisst statue which, in a shocking act of vandalism, has its head sawn off by the minions of an evil businessman. It’s up to headline star and fight choreographer Tony Jaa to retrieve it: a quest he undertakes in punishingly brutal style. It’s a b- movie plot, but Ong- Bak rises above by eschewing any wire work for grittier and more down- to- earth Muay- Thai beatings.
The dedicated fight team were all prepared to take a pummelling for real. Their pain is the audience’s gain.
Crouching Tiger, Hidden Dragon. The plot, involving the recovery of a stolen sword and a couple of pairs of lovers, might seem a little far fetched at times, and the subtitled dialogue a touch too stately, but the sheer scale of Crouching Tiger's setting, cinematography and fight choreography will leave all but the most stone- hearted impressed.