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Sundance Garage III – corner of 3rd and Taylor above PF Chang's. CJ Starr was raised all over the Midwest, but his comedy was born in Texas at local open mic in Corpus Christi, Texas over 1. His comedy continues to make all crowds laugh about the things that make him win step- dad of the year and anything else that can happen to a mid- 3. CJ Starr’s Comedy can relate to any audience as he makes fun of his upbringing, his bi- racial marriage, family, kids, stereotypes, jail time, and 1.

Community College. His comedy is very versatile; as well as his fans he has acquired over the years and that is why he has fan base includes every walk of life. In the past couple years alone, CJ Starr was picked to perform at Gilda’s Laughfest, East Texas Comedy Festival where he was voted "Crowd Favorite" twice, voted top 4.

The World Series of Comedy, and headlined one night The Amsterdam Comedy Festival in Dallas, TX. He has continued to expand his comedic talent as writer and actor for the soon to be release Web series Giggle- Lows. In 2. 01. 4, CJ Starr appeared in commercials for Hyundai and Wal- Mart, not to mention just film a set for Fox series Laughs, all will probably never be aired. Pauly Shore tasted super- stardom in 1. MTV show "Totally Pauly" hit the airwaves to major fan approval. The show ran for six years, leading him to numerous television and film roles including the one- hour HBO television special, “Pauly Does Dallas” and starring in the films "Encino Man", "Son In Law", "Jury Duty", "In the Army Now", and "Bio Dome".

Pauly then went on to star and produce in his own projects including "Pauly Shore is Dead" for 2. Century Fox, which is now available on Amazon Prime. He also produced and starred in two comedy specials, "Vegas is My Oyster", and "Pauly- Tics", which are both now available on Crackle. In 2. 01. 4, Pauly released “Pauly Shore Stands Alone”, a true- life road documentary that follows him as he performs in obscure towns throughout Wisconsin while dealing with his personal life back home, which is now on Amazon Prime.

He is currently producing a six- part documentary series based off of the original documentary "Pauly Shore Stands Alone". Additionally, Pauly recently debuted the video portion of his podcast "Pauly Shore Podcast Show", on Crackle. Some of his guests include: Judd Apatow (movie director), Irving Azoff (manager of The Eagles), Ziggy Marley (reggae superstar) and many, many more.

Pauly remains hard at work on a historical documentary of his life spanning the 6. The Comedy Store in West Hollywood. He recently played Stephen Miller in a viral Funny or Die video and stars in an upcoming Funny or Die sketch with Bobby Lee, Jay Mohr and Richard Schiff from "Ballers" entitled "Silver Lake Vice Squad".

Nathan Anderson started comedy in 2. Oklahoma City. He lives in New York with his wife Olga, and two cats, Sartre & Simone. He's performed at comedy clubs across the country, working with headliners including Jim Jeffries, Brian Posehn, Doug Benson and Bobcat Goldthwait. In 2. 00. 7, he was featured in Comedy Central's Open Mic Fight. In 2. 01. 2, he created standupshots on Reddit. From 2. 01. 2- 2. UCB and The Creek & Cave in New York.

When not performing, he spends his time playing Hearthstone and working through his Steam backlog. Writer, actor, and stand- up comedian Joe De. Rosa has become a favorite on the comedy circuit.

His brand of comedy, which mixes brutal honesty and frustration at the workings of the world, has won over comedy fans, radio listeners, and TV audiences nationwide. In February 2. 01.

Joe taped his second half hour special for Comedy Central, and in September of that year he released his third stand- up comedy album “You Will Die”. His first two stand- up albums, “The Depression Auction” and “Return of The Son of The Depression Auction”, were released on Comedy Central records in 2. A fourth album, “Mistakes Were Made: The B- Sides” was released in August of 2.

Joe has also worked as a writer on a variety of projects, including Netflix’s highly anticipated Wet Hot American Summer TV series, Comedy Central’s Jeff & Some Aliens, and TBS’ acclaimed The Pete Holmes Show, on which he was also a featured performer. Online, Joe created, wrote, and starred in Bedrocket’s 2. We Should Break Up and the Warner Brothers web series What Are We Waiting For? In 2. 01. 1 he directed and, along with fellow comedians Bill Burr and Robert Kelly, co- wrote and starred in the short film CHEAT, which premiered at The Tribeca Film Festival that year. In October 2. 01. Simon and Schuster released a book based on the film, written by the three comedians themselves. In recent years, Joe has been seen in a recurring role on AMC’s Better Call Saul, and has made appearances on Comedy Central’s Inside Amy Schumer, FX’s Louie, HBO’s Bored To Death, E’s Chelsea Lately, and in the video game Grand Theft Auto V.

This year, Joe released his first full televised hour special, You Let Me Down. When he’s not writing or acting, Joe headlines comedy clubs across the globe and has been featured at renowned festivals such as South By Southwest, Montreal’s Just for Laughs, The Moontower Comedy Festival, The New York Comedy Festival, Gilda’s Laughfest, Melbourne International Comedy Festival, and Bonnaroo. Ben Gleib was just named by TBS one of the "Funniest Comedians Working Today". His hilarious hour stand- up special, "Ben Gleib: Neurotic Gangster", is currently airing on Showtime. He is Host, Head Writer and Executive Producer of "Idiotest", the Emmy nominated comedy game show, in its 4th season on GSN, with 2. It’s their most watched original show. For Gleib, Executive Producer is not just a title.

He helps create all of the show's brain puzzles.) Gleib is a regular on "The Today Show" with Kathie Lee and Hoda, appearing at least monthly on their "Guys Tell All" segment, and hosting other segments. You may have seen one of his recent appearances on Comedy Central's "‪@midnight with Chris Hardwick". For 7 years he was one of the most frequent regulars on "Chelsea Lately" on E! Gleib is the first comedian to ever live stream a full headline set on Facebook Live, and did it for one show in each city on his last tour, 1.

His act is chock full of hilarious material, but he's also one of the best improvisers in stand- up comedy. A truly unique talent, Gleib recently co- anchored a week of ABC News digital from their world news headquarters in New York. Has been a regular on- air contributor to CNN and NPR (where he won a Golden Mic award) and co- anchored "The Young Turks".

Unusual gigs for a comedian, and further examples of why he is one of the most unique voices in comedy. He has been headlining comedy clubs around the globe since 2. Chelsea Handler and Dane Cook. His political and current events podcast "Last Week On Earth" on the Smodcast Network debuted on i.

Tunes Comedy at #9, and was #1 on stitcher for 2. Ben's online videos have received over 2.

He is also an accomplished voiceover actor, voicing characters in "‪The Book of Life", "Ice Age: Continental Drift" (the second highest grossing animated movie of all- time internationally) and is one of the stars of Kevin Smith's "Jay & Silent Bob's Super Groovy Cartoon Movie".

Gigging Solo: A Guide Fresh On The Net. STAND AND DELIVER WORKSHOPAbbey Road Studio 2, Thursday 1. January 2. 01. 2* The advice below is only one man’s opinions, and not universal truths* Although we focus on solo performance the same points also apply with a band* Most of us have to work hard in order to become confident performers* And the first key to confidence is preparation. Whether you use keyboard, guitar, laptop or loopstation you will need your instrument plus some sort of stand and a cable to plug it into the PA. If you’re a guitarist you may also want to make sure you have plectrums, a strap, a capo, a tuner.

Invest in a cable tester and battery tester: test the instrument cable and the batteries in your guitar and tuner before leaving home. Maybe take a spare cable and 9 volt battery anyway, along with a spare strap and spare capo in case of loss or mishap on the night.

Take plenty of spare strings, and change them for every gig. Do it a few hours before showtime so that they have time to stretch and settle. Don’t do it just before you go on stage as they will tend to detune mid- number.

New strings are more responsive, crisper sounding, and less likely to break. If you buy online in packs of ten, you can get Martin M1. Also consider taking: a string winder to speed up changing strings and a pair of pliers to clip off the spiky ends. An A4 Pad for writing setlists, stage plans, song ideas, lyric sheets, other musicians’ contact details etc. A Sharpie pen or other indelible marker for writing setlists and autographing stuff after the gig.

Black gaffa tape for repairs, marking out bits of the stage, mic positions if the stage has to be reset. Take your own vocal mic – guitarists cheerfully spend £1- 2. K getting an instrument and amp they feel comfortable with. You’re a singer, why not sing into a mic you feel comfortable with?

My preference is for the Shure Beta 5. I personally like. Figure out your strategy for dealing with a broken string mid- gig. Possibilities: (1) take a second guitar(2) arrange with another musician at the gig to fix strings for each other in an emergency or(3) Have a story, poem, long joke or anecdote you can tell the audience while fixing it yourself. Using technology to augment your sound has upsides and downsides.(1) The Loopstation. UPSIDE: can create a sensational sound. DOWNSIDE: it can make songs longer, and may start to bore the audience if you do it on every single one.(2) Backing Track/Laptop, UPSIDE: can drastically enhance the sound and give people an idea of what your recordings sound like.

DOWNSIDE: people go to gigs to witness a performance, not to hear a particular noise. It can go wrong and have a deadening effect by stopping you trying out different tempos and arrangements. It prevents you from performing “in the moment”. If you do use a backing track, always have a strong performance element on top of it – and I’d urge you to always do at least one song in your set without it – just to show that you can. The perils of wearing sunglasses on stage: by hiding your eyes, shades get in the way of your connection with the audience. Fine if you’re a bassplayer who doesn’t much like the band you’re playing in, but it hampers a singer’s ability to connect.

LOOK “cool” but to BE authentic. Authentic is not the same thing as natural. Natural” is slobbing round the house in a t- shirt eating from the fridge with your hair in a mess. What feels “natural” in real life looks small+feeble onstage. To come across as a natural performer onstage your behaviour, movement, language and clothing all need to be bigger and more extravagant than in real life.

But at the same time authentically “you”. So this doesn’t mean “putting on” an act or pretending to be something you aren’t. Watch All The Right Moves Online Facebook. It means choosing just one aspect of who you genuinely are, and then exaggerating it into a cartoon sized persona that you can inhabit. Think Tim Minchin – taking off his glasses, putting on his eyeliner and frilly shirt and carefully rumpling his hair before going on stage as the Wild Man Of The Piano. Dizzee Rascal, taking off his casual suit and changing into his oh- so- carefully- chosen trainers, T- shirt and baseball cap before taking to the Pyramid stage at Glastonbury. Even apparently “natural” performers like Thom Yorke and Billy Bragg are giving a larger than life performance of their own genuinely down- to- earth personalities.

I saw Billy Bragg showing off in a smart suit onstage once and it looked all wrong. Physical Preparation: drink water – 2. If your urine is any colour other than clear, you are dehydrated. When you’re dehydrated the small moist vocal chords are the first part of the body to dry out, with air constantly passing over them as you breathe in and out.

Remember caffeine is a diuretic – it puts a squeeze on your kidneys and dries you out. Practising for the gig: do it at volume, not quiet and timid in your bedroom hoping nobody will hear you. Go down to a rehearsal room, set up a mic, plug in your instrument, and practise playing loud – the same way you’ll be doing it on stage in venue. Learning lyrics: recording the words into your phone and then play them back to yourself contantly while doing other things: travelling to work, doing the washing up, or even going to sleep. It gets you used to what lines follow each other without even thinking about it. Being a singer is much more bruising and risky than just being a musician.

If someone says your guitar playing is crap, they’re criticising what you do. If they slag you off as a singer, they’re criticising who you are.

So it’s tempting – but fatal – for singers to try and play it safe: a “safe” performance is a dull, forgettable performance. The kind of artists who grab our attention on stage are the few who dare to be vulnerable – who take emotional risks and lay themselves on the line with every note they sing. Nobody cares whether you’re technically perfect, but to be memorable on stage whatever you do does need to be real. It’s helpful to be centred and “in the zone” when walking out on stage to perform – not panicked or in a rush. If backstage is a bit rowdy, take yourself off on your own – perhaps behind a speaker stack by the stage.

Briefly close your eyes and focus on your breathing. Empty your mind for a moment and notice the air coming in and out of your lungs. Feel your feet planted on the floor, and try to feel of every part of your body as you focus on your breathing. Count the breaths down from ten to one. And then, when you’re fully there in the moment, open your eyes and walk onstage.

Your goals when playing live are to be SEEN, be HEARD and be REMEMBERED. As a support act your options may be limited – so some of these suggestions only apply under ideal conditions where you are allowed some say.* BEING SEENWhen soundchecking aim to find the best working position from which to command the stage. Check the sight lines: try to find a position where you can see – and be seen by – the maximum number of people in the room. This isn’t always necessarily the centre of the stage or even the front of the stage – there may for instance be pillars in the room that block off a whole section of the audience. If they can’t see you, they will ignore you and talk among themselves. It’s also vital to be well lit: no point putting on a performance if nobody can see it. Too often, performers go to the very front of the stage mid- song trying to vibe up the audience and completely disappear from view because they’ve walked out of the lights.

If you have any say, then get the lamps pointed at your working position. Otherwise figure out where the lights are actually pointing and work from whichever one has reasonable command of the room. How to tell when a lamp is pointing at you? When it blinds you: it’s more important for the audience to see you than for you to see them.

The ideal compromise is to be lit from either side rather than directly in front.