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To Kill a Mockingbird - Wikipedia. To Kill a Mockingbird. First edition cover – late printing. Author. Harper Lee. Country. United States. Language. English.

Genre. Southern Gothic, Bildungsroman. Published. July 1. Publisher. J. B. Lippincott & Co.

Pages. 28. 1To Kill a Mockingbird is a novel by Harper Lee published in 1. It was immediately successful, winning the Pulitzer Prize, and has become a classic of modern American literature. The plot and characters are loosely based on Lee's observations of her family, her neighbors and an event that occurred near her hometown of Monroeville, Alabama, in 1. The story is told by the six- year- old Jean Louise Finch. The novel is renowned for its warmth and humor, despite dealing with the serious issues of rape and racial inequality.

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The narrator's father, Atticus Finch, has served as a moral hero for many readers and as a model of integrity for lawyers. One critic explains the novel's impact by writing, "In the twentieth century, To Kill a Mockingbird is probably the most widely read book dealing with race in America, and its protagonist, Atticus Finch, the most enduring fictional image of racial heroism."[1]As a Southern Gothic novel and a Bildungsroman, the primary themes of To Kill a Mockingbird involve racial injustice and the destruction of innocence.

Scholars have noted that Lee also addresses issues of class, courage, compassion, and gender roles in the American Deep South. The book is widely taught in schools in the United States with lessons that emphasize tolerance and decry prejudice. Despite its themes, To Kill a Mockingbird has been subject to campaigns for removal from public classrooms, often challenged for its use of racial epithets. Reaction to the novel varied widely upon publication. Despite the number of copies sold and its widespread use in education, literary analysis of it is sparse. Author Mary Mc. Donough Murphy, who collected individual impressions of To Kill a Mockingbird by several authors and public figures, calls the book "an astonishing phenomenon".[2] In 2. British librarians ranked the book ahead of the Bible as one "every adult should read before they die".[3] It was adapted into an Oscar- winning film in 1.

Robert Mulligan, with a screenplay by Horton Foote. Since 1. 99. 0, a play based on the novel has been performed annually in Harper Lee's hometown.

To Kill a Mockingbird was Lee's only published book until Go Set a Watchman, an earlier draft of To Kill a Mockingbird, was published on July 1. Lee continued to respond to her work's impact until her death in February 2. Biographical background and publication. Born in 1. 92. 6, Harper Lee grew up in the Southern town of Monroeville, Alabama, where she became close friends with soon- to- be famous writer Truman Capote. She attended Huntingdon College in Montgomery (1. University of Alabama (1. While attending college, she wrote for campus literary magazines: Huntress at Huntingdon and the humor magazine Rammer Jammer at the University of Alabama.

At both colleges, she wrote short stories and other works about racial injustice, a rarely mentioned topic on such campuses at the time.[4] In 1. Lee moved to New York City, where she worked as a reservation clerk for British Overseas Airways Corporation; there, she began writing a collection of essays and short stories about people in Monroeville. Hoping to be published, Lee presented her writing in 1. Capote. An editor at J. B. Lippincott, who bought the manuscript, advised her to quit the airline and concentrate on writing.

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Donations from friends allowed her to write uninterrupted for a year.[5]After finishing the first draft and returning it to Lippincott, the manuscript, at that point titled "Go Set a Watchman",[6] fell into the hands of Therese von Hohoff Torrey — known professionally as Tay Hohoff — a small, wiry veteran editor in her late 5. Hohoff was impressed. T]he spark of the true writer flashed in every line,” she would later recount in a corporate history of Lippincott.[6] But as Hohoff saw it, the manuscript was by no means fit for publication. It was, as she described it, “more a series of anecdotes than a fully conceived novel.” During the next couple of years, she led Lee from one draft to the next until the book finally achieved its finished form and was retitled To Kill a Mockingbird.[6]Ultimately, Lee spent over two and a half years writing To Kill a Mockingbird. The book was published on July 1.

After rejecting the "Watchman" title, it was initially re- titled Atticus, but Lee renamed it "To Kill a Mockingbird" to reflect that the story went beyond just a character portrait.[7] The editorial team at Lippincott warned Lee that she would probably sell only several thousand copies.[8] In 1. Lee recalled her hopes for the book when she said, "I never expected any sort of success with 'Mockingbird.' .. I was hoping for a quick and merciful death at the hands of the reviewers but, at the same time, I sort of hoped someone would like it enough to give me encouragement. Watch One Direction: This Is Us HD 1080P on this page. Public encouragement.

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I hoped for a little, as I said, but I got rather a whole lot, and in some ways this was just about as frightening as the quick, merciful death I'd expected."[9] Instead of a "quick and merciful death", Reader's Digest Condensed Books chose the book for reprinting in part, which gave it a wide readership immediately.[1. Since the original publication, the book has never been out of print.[1. Plot summary. The story takes place during three years (1. Great Depression in the fictional "tired old town" of Maycomb, Alabama, the seat of Maycomb County. It focuses on six- year- old Jean Louise Finch (nicknamed Scout), who lives with her older brother, Jeremy (nicknamed Jem), and their widowed father, Atticus, a middle- aged lawyer. Jem and Scout befriend a boy named Dill, who visits Maycomb to stay with his aunt each summer. The three children are terrified yet fascinated by their neighbor, the reclusive Arthur "Boo" Radley.

The adults of Maycomb are hesitant to talk about Boo, and few of them have seen him for many years. The children feed one another's imagination with rumors about his appearance and reasons for remaining hidden, and they fantasize about how to get him out of his house. After two summers of friendship with Dill, Scout and Jem find that someone leaves them small gifts in a tree outside the Radley place. Several times the mysterious Boo makes gestures of affection to the children, but, to their disappointment, he never appears in person. Judge Taylor appoints Atticus to defend Tom Robinson, a black man who has been accused of raping a young white woman, Mayella Ewell.

Although many of Maycomb's citizens disapprove, Atticus agrees to defend Tom to the best of his ability. Other children taunt Jem and Scout for Atticus's actions, calling him a "nigger- lover". Scout is tempted to stand up for her father's honor by fighting, even though he has told her not to.

Atticus faces a group of men intent on lynching Tom. This danger is averted when Scout, Jem, and Dill shame the mob into dispersing by forcing them to view the situation from Atticus' and Tom's perspective. Atticus does not want Jem and Scout to be present at Tom Robinson's trial. No seat is available on the main floor, so by invitation of the Rev. Sykes, Jem, Scout, and Dill watch from the colored balcony. Atticus establishes that the accusers—Mayella and her father, Bob Ewell, the town drunk—are lying. It also becomes clear that the friendless Mayella made sexual advances toward Tom, and that her father caught her and beat her.

Despite significant evidence of Tom's innocence, the jury convicts him. Jem's faith in justice becomes badly shaken, as is Atticus', when the hapless Tom is shot and killed while trying to escape from prison. Despite Tom's conviction, Bob Ewell is humiliated by the events of the trial, Atticus explaining that he "destroyed [Ewell's] last shred of credibility at that trial."[1.

Film Review: ‘First Kill’ – Variety. Just how many people has “First Kill” star Bruce Willis killed over the course of his career? According to a site called Movie.

Body. Counts. com (whose statistics look to be about as accurate as a sawed- off shotgun blast), Willis has offed 1. A more accurate tally is best left to someone with an appetite for action and plenty of free time on their hands — which just so happens to be the kind of person most likely to appreciate another generic collaboration between Willis and director Steven C. Miller (their third, following “Extraction” and “Marauders”). With little to distinguish this VOD- bound Lionsgate Premiere release from so many straight- to- video thrillers, “First Kill” offers the ever- so- slight novelty of casting Willis as the bad guy.

He plays a corrupt rural police chief named Howell, who’s courteous to the locals in small- town Graville, Ohio, but not above murdering them if they get between him and the loot from a recent bank robbery. Howell’s crime might have gone undetected were it not for the arrival of Will (Hayden Christensen), a big- city investment banker who happens to be hunting with his 1. Danny (Ty Shelton) when he stumbles upon their scheme. Danny’s been having trouble with a bully at school, and “First Kill” is the roundabout story of how the kid finds the confidence to defend himself in that uniquely American, NRA- approved way: by learning how to handle a firearm.

Dad goes out of his way to explain that Danny should never point the gun at another person, but he doesn’t set much of an example. From the moment father and son stumble across what appears to be an execution in the woods, it’s shoot or be shot. And while “First Kill” ain’t Willis’ first kill by any stretch, it could well provide the kid’s. A blue- state version of the same movie might have followed Danny back to school, where he takes the family rifle and opens fire on his aggressors, but as far as “First Kill” is concerned, the best way to prevent gun violence is with more guns. It’s easy to understand why Miller would have wanted Willis for the role (although he barely exploits the star’s wry, seen- it- all quality), but Christensen comes as more of a surprise, since he reads as a white- collar dandy — someone who hardly seems tough enough to have grown up around guns, and not at all the type who’d pull the trigger if his son was put in danger.

If anything, the script (by Nick Gordon) might have done more with the idea that Will’s masculinity is threatened when he finds himself called upon to protect his family, à la Sam Peckinpah’s “Straw Dogs.” Instead, Will is depicted as a kind of super- dad who’ll stop at nothing to get Danny back after the unexpectedly sympathetic bank robber (Gethin Anthony) kidnaps the boy — and in so doing, solve the mystery of what happened to his father years before. Frankly, if forced to bet between John Mc.

Clane and Anakin Skywalker, I’d take the “Die Hard” tough guy every time, but that’s just the underdog factor Miller is going for, staging a reasonably entertaining series of off- road chases and backwoods shootouts en route to that final confrontation. The movie’s tough- love message: If Danny can manage to get through the experience alive, it’ll take a lot more than a bully to intimidate him next time.